This is a melancholy show, from Martin Boyce’s windswept library, in which a few leaves from his 2009 exhibition for the Scottish Pavilion at the Venice Biennale appear to have blown in with the draught, to George Shaw’s paintings of boarded-up shops. Film-maker Hilary Lloyd looks at the moon and Karla Black, who represented Scotland in Venice in 2011, has presented a beautiful room of painterly sculptures, which seem elegantly faded and purposefully tentative, as well as characteristically exuberant. Scotland on Sunday
A site for sharing information and events generated by the students and staff of Sculpture and Environmental Art, Glasgow School of Art.
Wednesday, October 26, 2011
Art review: Turner Prize 2011, Baltic, Newcastle
This is a melancholy show, from Martin Boyce’s windswept library, in which a few leaves from his 2009 exhibition for the Scottish Pavilion at the Venice Biennale appear to have blown in with the draught, to George Shaw’s paintings of boarded-up shops. Film-maker Hilary Lloyd looks at the moon and Karla Black, who represented Scotland in Venice in 2011, has presented a beautiful room of painterly sculptures, which seem elegantly faded and purposefully tentative, as well as characteristically exuberant. Scotland on Sunday
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment