Running Time is the first ever exhibition dedicated exclusively to artist films in Scotland.

Including artist,

Jason Dee, Mark Neville, Smith (SEA staff) / Stewart, Aileen Campbell, Beagles and Ramsay, Phil Collins, Pernille Spence, Madelon Hooykaas and Elsa Stansfield, Kate V Robertson, Ashley Nieuwenhuizen, David Sherry (SEA grad), Alan Currall (SEA staff), Torsten Lauschmann, Roderick Buchanan (SEA grad), Douglas Gordon (SEA grad), Hugh Watt, Maayke Schurer, Rosalind Nashashib, Margaret Tait, Dalziel and Scullion (SEA grad), Ben Rivers, Matt Stokes, Ian Stephen, Stuart Gurden, Gair Dunlop, Jason Nelson, Roderick Buchanan (SEA grad), Henry Coombes, Duncan Marquiss, David Shrigley (SEA grad), Matt Hulse, Dani Marti, Luke Collins, Zatorski and Zatorski, Sigga Bjorg Sigurdardottir, Paul Rooney, Luke Fowler, Katy Dove, Andy Wake, Will Duke, Craig Mulholland, Tatham & O' Sullivan, Patrick Jameson, Steven Cairns, Will Duke, Michael Windle, Stephen Sutcliffe, Eduardo Paolozzi . Annabel Nicolson, Martin Boyce (SEA grad), Hayley Tompkins, Jim Lambie (SEA grad), Stephen Partridge, Anne Bjerge Hansen, Stuart Gurden, Tamara Krikorian, Jenny Hogarth, Alistair Maclennan, David Hall, Boyle Family,

Katri Walker

Dani Marti and Katri Walker: In Transit at 82-84 Saltmarket

ascii rock

UbuWeb

UbuWeb posts much of its content without permission; we rip out-of-print LPs into sound files; we scan as many old books as we can get our hands on; we post essays as fast as we can OCR them. UbuWeb is an unlimited resource with unlimited space to fill. It is in this way that the site has grown to encompass hundreds of artists, hundreds of gigabytes of sound files, books, texts and videos

.

What a collection! enjoy

Media Art Net

Sarah Tripp

The Aphrodite Project

The Aphrodite Project is a series of new media artworks inspired by the cult of Aphrodite. Started by Norene Leddy in 2000, The Aphrodite Project consists of three multi-media artworks: Sanctuary, Platforms, and Kestos Imas, a work in progress.

Mark Melvin

What can be seen in Mark’s work throughout is a preoccupation with the work as process, and in turn looping, sequence and rhythmic iteration have been prominent in their construction. Repetition is evident in his practice and he often experiments with various cycles and levels of repetition, be it a discussion of the habitual and routine, investigations into recollection and memory or the use of music, the art of iteration.